Staging America: Cornerstone and Community-Based Theater Paperback Book, eBook Download in EPUB, MOBI and PDF

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Sonja Kuftinec

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Brief introduction

This captivating study maps a history and theory of community-based theater in the United States through the Cornerstone Theater Company. Detailing how the performance-making process contributes to...

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Bibliographic data

This edition of book was issued in Paperback. The volume of the book is 282 pages (approximate value, can be different depending on the edition). First book "Staging America: Cornerstone and Community-Based Theater" was published in 2003.

Original Title
Staging America: Cornerstone and Community-Based Theater
ISBN13
9780809324972
First Published
2003 year
Edition Format
Paperback
Book Language
English
Number of Pages
282 pages
Ebook Format
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Staging America: Cornerstone and Community-Based Theater

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Book Description

This captivating study maps a history and theory of community-based theater in the United States through the Cornerstone Theater Company. Detailing how the performance-making process contributes to an ongoing negotiation of American identity, Sonja Kuftinec investigates community-based theater to trace the historical affiliations of the form and critically examines how com This captivating study maps a history and theory of community-based theater in the United States through the Cornerstone Theater Company. Detailing how the performance-making process contributes to an ongoing negotiation of American identity, Sonja Kuftinec investigates community-based theater to trace the historical affiliations of the form and critically examines how community-based theater both enables community and challenges the very notion of "community" as a stable site.

The process of making and unmaking community is vividly illuminated in the work of the Cornerstone Theater Company, a Los Angeles-based ensemble founded in 1986. From 1986 to 1991, Cornerstone toured nationwide, working mainly with rural towns to create adaptations of classical texts. A Wild West musical Hamlet was performed with residents of Marmarth, North Dakota (population 190), and The House on Walker River, an adaptation of the Oresteia trilogy, was developed with a Native American reservation in Nevada.

Since 1991, Cornerstone has performed with urban communities, developing original shows and adaptations of Western and non-Western texts incorporating local histories and community players. These performances rearticulate distinctions among various urban group and between amateur and professional theater. While Cornerstone's contemporary work can be contextualized within a historical tradition of grassroots performance, it also complicates this tradition, suggesting that identity may be more dynamic than rooted.

By using Cornerstone as a case study, Kuftinec's analysis of community-based theater's impact upon rural, urban, and professional sites across the United States proposes that "community" and "America" are vital terms of negotiation rather than fixed entities.

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